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Before you start

Can You Read Music Well Enough for Pro Member?

This page settles one thing: whether you already read well enough to start Pro Member's courses — and it takes about a minute.

  • The one requirement — you can already work out a simple piece from a score on your own.
  • What this isn't — not a grade, not a pass/fail test; nothing is scored, recorded, or sent anywhere.
  • How to use it — four ways to check; pick the one that fits you, and stop there.

Check 1 — your method book

If you're working through a method book, where you are in it is your answer.

Find your book below — at or past that point is where these courses start from.

MethodYou're reading well enough once you reach…
Alfred's Basic Adult Piano Course, Book 1About halfway through, or later
John Thompson's Adult Piano Course, Book OneAbout halfway through
Hal Leonard Adult Piano MethodNear the end of Book 1, or the start of Book 2
Faber Adult Piano Adventures, All-in-One Book 1Around the midpoint to later part of Book 1
Faber Piano Adventures, Level 1End of Level 1, into Level 2A
Alfred's Basic Piano Library, Level 1BThrough Level 1B
Bastien Piano Basics, Level 1Through Level 1, into Level 2
Hal Leonard Student Piano Library, Piano LessonsInto Book 2
John Thompson's Easiest Piano CoursePart 3 onward
John Thompson's Modern Course, First Grade BookThrough the whole book
Michael Aaron Piano Course, Grade OneThrough Grade One
John W. Schaum Piano CourseAround the B (Blue) book

These pace differently on purpose, so the same position means different things from book to book — it's a locating device, not a ranking.

Check 2 — your app

PlatformWhat it tells us
Piano MarvelMethod/SASR track: yes — use the table above. Boot Camp: try the score instead.
Hoffman AcademyUnit 1 = staff reading not started yet. Past Unit 2 = try the score.
Simply PianoTeaches reading, but you can finish it by ear — try the score instead.
Playground SessionsSame story — teaches reading, but finishable without it. Try the score.

If your app isn't listed here, that's not a judgement on it — the score below will tell you instead.

Check 3 — pieces you already play

  • Thompson's First Grade Studies
  • Bach's Notebook for Anna Magdalena Bach — the G major Minuet, the C major Musette, or a neighbouring piece
  • The opening pieces in Bartók's Mikrokosmos
  • Walter Carroll's Scenes at a Farm or Tunes from Nature
  • The opening numbers in Schumann's Album for the Young, Op. 68
  • Loeschhorn's Children's Studies, Op. 181
  • The first pieces in Kabalevsky

Recognise yourself in any of these, playing at around that level? That's your rung.

Then you're in the right place — this is the reading the courses start from. Pro Member is ready whenever you are.

Check 4 — play a short score

Look at it for a moment, then play it through once, slowly, hands together. It doesn't need to be up to speed or sound good. Stopping and starting is fine.

Five short scores below, easiest to hardest — pick by the label, not by how they look. Any one answers the question just as well; you only need to try one.

No sharps or flats, quarter notes

Two systems of piano music on a grand staff with no sharps or flats — both hands moving together in quarter notes and half notes, ending on a tied whole note.
Bartók, Mikrokosmos Book I, No. 11 — all 16 bars.Tap the score to open it full size — pinch to zoom, or print it.

No sharps or flats, one hand holds while the other moves

Two systems of piano music on a grand staff with no sharps or flats, in three-four time — the right hand holding a two-note chord through whole bars while the left hand moves underneath in quarter notes, loud and soft answering each other.
Carroll, Tunes from Nature, No. 4 "The Toad" — all 16 bars.Tap the score to open it full size — pinch to zoom, or print it.

No sharps or flats, a running right hand

Two systems of piano music on a grand staff in C major — the right hand in running eighth notes, the left hand in half notes and quarter notes.
Loeschhorn, Op. 181 Heft I, No. 1 — the first 9 bars.Tap the score to open it full size — pinch to zoom, or print it.

One flat, hands stay put

Loeschhorn, Op. 181 Heft I, No. 15 — the first eight bars, on a grand staff.
Loeschhorn, Op. 181 Heft I, No. 15 — the first eight bars.Tap the score to open it full size — pinch to zoom, or print it.

One sharp, the line travels

Two systems of piano music on a grand staff in G major — the right hand in a running line of eighth notes, the left hand in half notes tied across the bar lines.
Loeschhorn, Op. 181 Heft I, No. 17 — the first 10 bars.Tap the score to open it full size — pinch to zoom, or print it.

Whichever one you played, the question is the same: which of these is true?

  • I got to the end. (Slowly, with stops — that counts.)
  • I got stuck working out which note is which.

You read it — and slowly, with stops, is exactly what we asked for. That is the reading these courses start from. Pro Member is ready whenever you are.

Working each note out, one at a time, is what reading looks like before it's automatic — everyone gets there.

Reading notes from scratch is the one thing these courses don't teach — they start one step after it.

Hoffman Academy's first unit — twenty lessons — has no staff notation; the staff arrives at Lesson 21. A real, ordinary stage.

Real next step:

  • A method book
  • A teacher
  • An app

Any of those is right — just earlier than these courses start. The door stays open.

One more thing worth knowing while you work on your reading: technique and reading don't have to happen one after another — you can start both at the same time. Super Fingers is a technique book, not a reading method, and it's built to run alongside whatever you use to learn notes, from day one. If you'd like a smaller step first, our free technique exercises are a good place to start.

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