Piano Fantasy Minute #003

Slow Practice in Piano Technique: The Foundation of Speed and Precision

by Lars Nelissen  - December 22, 2025

How slow, deliberate practice creates reliable coordination and faster playing

How High Should Fingers Lift at the Piano?
The Art of Soft Playing at the Piano

Speed problems at the piano are usually coordination problems in disguise

Slow practice is not “safe practice.”

It’s where you teach your fingers to move quickly.

When you practise slowly with lazy fingers, you’re training sluggish reflexes. But when you practise slowly with fast finger movements, you build the exact neurological patterns needed for speed. The tempo is slow; the finger motion is fast.

Try this:

  • Take a short passage you want to play quickly one day.
  • Play it extremely slowly, but every finger lifts high and strikes with a quick, clean movement.
  • The hand stays relaxed; the fingers do the crisp work.
  • There's a very short relaxation in the forearm (finger) muscles between each new finger strike.

The catch:

If your fingers start collapsing or losing shape, you’re going too fast mentally. Slow your mind, not your fingers.

See this worked in my tutorial learning: Kabalevsky’s Magical “Lullaby”

Summary:

Train fast fingers inside slow tempos — that’s how speed grows. This is the foundation of Phase 1 in Super Fingers

Inside the Piano Fantasy Community, you’ll find many examples from other members applying this idea — and you can share your own progress to get feedback.

The full Super Fingers course is included in the Pro Membership.
Start here.


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